The price is high, but so is the performance. Combine that with superb bokeh, near perfect control of chromatic aberration, and minimal distortion, and you've got a killer all-around lens. It's a little soft even in the center at f/1.2, but it quickly comes into its own and by f/4 is possibly the sharpest lens you can get in Fuji's system. The Fujinon XF 56mm f/1.2 R isn't a perfect lens, but it's certainly on the right track. A perfect lens would render the finest details accurately, wouldn’t distort straight lines or produce ugly fringing around high-contrast subjects, and would create smooth out-of-focus areas. When evaluating any lens, we focus on four key areas: sharpness, distortion, chromatic aberration, and bokeh. The only Fuji owners who won’t have this lens at the very top of their wishlists will be people who already own it. There are sharper lenses wide open, and there are definitely cheaper ones, but this is a superb all-around performer that Fuji can be very proud of. In the end, the Fujinon 56mm f/1.2 R is one of the best examples of a classic portrait lens that you’ll find for any mirrorless system. The major drawback is slow autofocus, but if you're shooting someone sitting for a portrait, that's basically a non-issue. Of course, if you don't need razor-thin depth of field you can also consider the super-sharp XF 60mm f/2.4 R Macro, which also doubles as an excellent portrait lens and costs just $550 at major retailers. On top of the $1,000 you’ll pay for the “vanilla” version, that's a pretty tall order. On the downside, it doesn’t work with phase-detect autofocus and costs $500 more. You can find samples from this lens online, but the major difference is that it produces even softer, better-rounded bokeh. Just about the only competition this lens has in Fuji's system is its own APD variant. The ultra-wide f/1.2 aperture creates some amazing bokeh. It's the best way to make your subject pop, ensuring all eyes are This kind of focal length helps to isolate your subject, effectively compressing the background while blurring it away with shallow depth of field. Designed for the APS-C sensors used in Fuji's X-series cameras, it has a full-frame equivalent focal length of 84mm to go with its f/1.2 max aperture-a classic combo. The Fujinon 56mm f/1.2 R is a wide-aperture, medium telephoto prime lens that's designed primarily for portrait photography. It proved its mettle in our labs, but with a $1,000 asking price, is it worth the cost? Who's It For? This ultra-bright prime lens features a classic portrait focal length and one of the widest apertures you can get in an autofocus lens. While typically quite expensive, these lenses serve as "halo" products, showcasing what each manufacturer's system is capable of.įujifilm's halo lens is undoubtedly the Fujinon XF 56mm f/1.2 R (MSRP $999.99). Lenses like the Carl Zeiss 24mm f/1.4 for Sony E-mount and Panasonic 42.5mm f/1.2 Nocticron for Micro Four Thirds stand out for their exceptional sharpness and beautiful bokeh. While many are designed to be as small and affordable as possible, a few excel in the pursuit of pure photographic performance. The latter group have made a smart decision by opting to craft high-quality prime lenses in lieu of more beginner-friendly zooms.
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